Pub. date: October 4th, 2016
Publisher: Thomas Dunne
Source: Chicago Public Library via Overdrive
Purchase links: Amazon| Barnes & Noble| Indiebound|Book Depository
Miel is the girl that emerged from a water tower one night when she was little, and Sam is the boy who paints paper moons and hangs them up on trees. Roses grow out of Miel’s wrist, and not much is known about either her past or Sam’s. Their friendship finds common ground in their weirdness and secrets, and in their teens, blossoms into a lot more. The only people that the townsfolk choose to keep even further distance from tare he Bonner girls, four beautiful sisters rumored to be witches. The sisters believe that the scent of the roses growing from Miel’s wrist could make anyone fall in love and they are willing to spills the secrets they have on Miel and Sam in order to obtain them.
This book made me realize I truly do love magical realism. I enjoy the flowery prose, characters with mysterious backgrounds that only come forth as you progress through the book, and the mystical components, especially in book filled with such multicultural elements. Miel is Latina, Sam is Pakistani-American, the book references brujeria and bacha posh, and has a central trans character whose exploration of sexual and gender identity is unlike any I’ve seen in a YA book.
I read the author’s debut novel The Weight In Feathers sometime before this book came out and instantly fell in love with her prose. Her writing is gorgeous. For example:
“They would remember only that Miel and Sam had been called Honey and Moon, a girl and boy woven into the folklore of this place.“
“She was a place whose darkness held not fear, but the promise of stars.“
I mean, her writing allows the reader’s imagination to explode. It is truly a sensory experience, with descriptions of smells, tastes, and visuals. Whether it’s a field of glass pumpkins, or the smells of the spices used in Miel’s house, or the sound of the river. The love between Miel and Sam literally feels like a slow burn of heightened teenage emotions.
The book is character-driven over plot, and McLemore gives her characters such nuance. Sam coming into his identity doesn’t necessarily happen throughout the book, but the story is deftly built up to that moment. It is far from a perfect moment, and McLemore’s storytelling prowess in exploring the messiness of teenage emotions shines through. The same can be said for Miel exploring her identity and finding out about her past and how she ended up in this town. The author lends complexity to the Bonner sisters as well, they aren’t your straight up villainous cliquey white sisters. Layers, layers everywhere.
I’ve said this about other books and I’ll say it again: books like this one are the reason there’s such a push for diversity in publishing. Teenagers exploring their sexual and gender identities on the page is so crucial. Teens having sex and not being punished for it is almost revolutionary. Queer teens of color reconciling their identity with their cultural backgrounds is so needed. Also important, queer kids having stories with happy endings. I guarantee you there are Pakistani-American trans kids out there who will benefit from seeing a character looking like them and sharing their cultural identity undergoing similar struggles.
This book is evidently a deeply personal one for McLemore, whose husband is trans. It is clear that an immense amount of research has gone into the writing of this book, both for the trans rep and the cultural practices described, for which I’m truly grateful. Do not miss reading the author’s note. With vivid prose and an ethereal narrative, McLemore has my heart once and for all.